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Yubinuki - The Hunt for Silk Thread

12/29/2018

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I love, Love, LOVE, LOVE sewing with silk
My love of silk began with sewing clothing and then when sewing hand embroidery and now I am looking at Yubinuki.

Yubinuki are traditionally sewn with silk and to date, the tutorials have been using perle (or pearl) cotton.  I have done this to gain skill and not waste an expensive thread on something that might not look so as I learned.

So the question is what size silk thread does one use and where do you get it. Soon after getting my Yubinuki books from Japan, I was looking at the images of the supplies and they showed a silk thread on a cardboard bobbin marked KNK. 

​Thus began my hunt to find this thread/chord and/or equivalents. I am now ready to share what I have found.

One place I went looking was high-end needle-point and embroidery stores. There I found the Au ver Soie Perlee (3rd from left above, which is RED), which is translated, a silk perle.  I have made one yubinuki with it (2 colors) and found it very slippery but the sheen and colors wonderful.  This 2 color yubinuki will be the next tutorial so stay tuned.

Then I went to the Houston Quilt Fest looking for other sources and I found Treenway Silk (1st on left, variegated Red/Orange) and Fiber on a Whim (2nd on left, variegated Blue/Green). These two are slightly thicker than the Silk Perle and are described as a silk chord. 

4th (Purple) and 5th (Pale Pinks) in the image are NOT silk but size 20 and size 40 cotton used for tatting. These are shown for size comparison but you might want to sew a few yubinuki with this size before tackling the REAL Japanese silk which is  the far right in Green. 

Now it is time to get to it - the elusive Japanese Silk. I have found two manufacturers of the size shown in the books; they are Fujix and Kanagawa. I spent weeks Googling and trust me I am a good Google-er; it took time but it has come to light that for traditional yubinuki silk the thread marked #9 is what should be used.  There are many a websites (Etsy or Amazon) selling #16 button hole twist thread but trust me, #16 is even finer than #9 and it is not what "we" want. I also discovered that you can, with time, find a random bobbin of #9 on eBay and on Amazon but not the full assortment of colors. 

I did purchase a bobbin of each thread via Ebay so I could do more research.

After finding the companies and their websites, I used Google translate navigate and find the pages for not only the individual bobbins of thread, but their thread sample books that show ALL the colors; at least 100 from each company but there was no way to place an international order. The KNK on-line order forms also assumed you were in Japan and they don't take credit cards OR Paypal, only checks or bank transfers. I then used their "Contact Us" for to send an email to ask HOW can I order.   It took over 10 emails of: what I wanted to purchase; where to send it in the USA; where to send the money, in Japan; and bank transfer information but the deed is done - I have paid for the order. 

So what did I get?
  • kits (thread on bobbins, silk for the padding, a pre-made base and instructions in Japanese, and extra paper and fabric to make another base)
  • an assortment threads
  • pre-made bases (which I also call a core)
  • silk padding
  • fabric
  • paper
  • and the thread colors card. 

I hoping that I will be able to sell these items soon, here on this website, stay tuned for that!

As I stated earlier, the next tutorial will be with the Au ver Soie Perlee. After than I will do an experiment using the same pattern and sized bases but with different sized threads. This comparison will allow you and me to find out what it is like to use these threads, and what the finished Yubinuki looks like, when compared side by side.

Links to  thread sources in the USA if you want to use these other silks and cottons
  • Treenway Silk :  This silk is listed as a button hold twist but depending on the company, the size can vary. 
  • Fiber on Whim : Silk Chord equivalent to size 8 and 12 Perle Cotton
  • Au ver Soie Perlee: A silk perle that is 3 ply and equivalent to a 12 Perle  Cotton. 
  • Lizbeth Tatting Size 20 Perle Cotton
  • Lizbeth Tatting Size 40 Perle Cotton

The 6 pictures below are of the threads, as I purchased them. The last two are the Fujix and the KNK.
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End of Year Projects

12/25/2018

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Having returned, relaxed, from my mini vacation and submitted all my pictures and paper work for my Level 1 Temari Certification I decided to take a break and make some Temari for fun. 

I started my projects in the beginning of November with a temari that was a  stitch-a-long challenge in the Temari community I belong to.  After I finished the first one, I did another challenge temari and was it! The mari was not ROUND so marking a C-10 was difficult since some of the pentagons were not symmetrical nor were they all the same size.s. I solved the issue by making a few of the pentagons smaller, on opposite sides; and I hoped for the best.   In the end it worked and it looks pretty good. Then I made 2 more temari, of the same pattern - one for me and one is a present. 

​Here are all the pictures!
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Yubinuki - Tutorial 7: Sewing Patterns (more)

12/15/2018

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In Tutorial 6, the yubinuki was sewn on an odd number of divisions and thus the thread for a round overlaps the thread from the prior round, let's recap that pattern and then go over the pattern:
  • Thread Colors: 1
  • Needles: 1
  • Divisions:  11

To expand on your knowledge of reading patterns, notice that there are 11 divisions, one color and ONE direction that the sewing is done in. The image below also shows how the first part of stitching ends back at division 1 but on the opposite side from where the stitching started
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Then when the second half of the round is stitched, the thread crosses the thread already sewn. For these diagrams I have outlined the lines which represent the thread with a black outline to make seeing the cross easier, below.
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This final image is the pattern and how it would appear in a book of patterns
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In the next tutorial, we will start with the pattern and then sew it!
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Embroidery Project - Autumn Acorns & Leaves

12/8/2018

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Back in September,I was reading Mary Corbett's embroidery blog and came across the Autumn Leaves & Acorns post which also has/had (you choose) a free pattern.  In the post, and pattern, there are NO instructions on stitches to be used nor are there any colors identified but a link to the House of Embroidery (HoE) Fall Colors floss assortment was. I looked at the tread assortment and I knew how I was going to sew this pattern and that I would need more colors than what was in the assortment.   

Here is what I decided to do:
The embroidery would be mostly satin stitch for the body of the leaves and acorns; french knots for the acorn caps and dots in the outer spiral swirls; and stem stitch for the spiral swirls; and lastly some split stitch for the veins on the leaves. 

For the colors I would start with "summer" colors - greens for leaves and greens and tans for the acorns in the center.  As I worked the pattern outward the colors would change to "autumn"  - yellows, browns, reds, oranges and a little bit of purple.   

Now that I knew what I wanted to do, I had to get the threads. I decided that some threads would be variegated so slight color changes would happen randomly and I would also use solid colors either two threads of the same color or one thread of two different colors to add some shading.  Since Mary had suggested HoE and having not used their threads before, I went through the HoE embroidery threads and bought a larger variegated assortment and I also went through my DMC stash of solid colors and selected several Greens, Yellows, Browns, Oranges and Reds that coordinated with the HoE threads. 

I transferred the pattern to some good quality quilting muslin (it was in my stash so why not use it) using butcher paper and my ink jet printer. YouTube has lots of video's so I am not going to repeat it here - this a process I learned 20+ years ago for making labels for my quilts.  I ironed the fabric to a light weight, non-woven, fusible interfacing as this would prevent stretching of the muslin as I did the sewing. I then put the fabric on a square stretcher frame with brass tacks; since I was working in the "round" and from the center outward, I figured that IF I used a hoop, I would be constantly re-adjusting it and the fabric tension.

Finally, it was time to start! I worked on this on evenings and weekend while watching my favorite shows to the television so yes, it took a bit over 2 months to do but it is now done

BTW, Mary calls this a kaleidoscope pattern since when divided into quarters, each section repeats around the center; she has other patterns of this type and I think they are fun to work on.

The pictures below are various process pictures I took and then posted in the Needle and Thread Facebook group. To my surprise, Mary herself, even commented on it! Here is what she wrote and I consider this high praise!

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