In December of last year, I went to The Makery, in Bulverde, to use the electric hydraulic press for a few deep dies I had.
I pressed a Viking, and 3 different Deco women warriors.  Over New Years weekend I turned on of the women into a key fob for Elisa of Scotland. The pressing was in 18 gauge sterling silver with a 14 gauge square wire frame and loop. I was supervised by Boots. Enjoy the pictures

Back in 2014 I participated in an art project called A Hundred For One. I made a link for the project of a baby squid based upon an image from a book of plates by a 1700's Naturalist Albertus Seba. I decided during Studio I to draw the plates. I did the front of the squid in the beginning of December, it took 3 attempts to get the proportions correct. I then traced it and transferred it to a clean piece of paper so I could color it. I then started on the back which then got put on hold due to finals and other tasks that had to be taken care of, around the house, when the semester ended. I slowly finished the sketch, transferred it a fresh sheet of paper and yesterday I spent the afternoon coloring it. 
I am starting a new drawing inspired by the fallen Ash leaves in my drive way which will be the first art of 2025, stay tuned.

The semester has ended and there were a few final projects and some drawing I did at home.
I finished drawing the squid and coloring it. I drew the bell pepper again, twice and then colored it with water color pencils and regular colored pencils. I also made a cardboard assembly of mid-century modern shapes to invoke a feeling/emotion; thenI  set up a light to cast shadows on the wall. It was then colored - I chose various blues to add to my feeling of "chill"/cozy. 
​I now get to relax until the next semester starts in mid-January

Three weeks left... This week I only have classes on Tuesday, then it's the Thanksgiving break. The following week is classes then the week after that, it's, again, classes on Tuesday and the semester is over for classes. After that it's Finals week of which I really don't have any tests. For College Writing I have to do a short 5 minute presentation on my last essay; For Studio and Core it's doing peer reviews for our last projects. 

FYI, the last essay we were assigned was to be on our chosen degree and career. That really only applies to the rest of the class as I have been there and done that TWICE. I was going to ask the teach about it and before I could he told me I could write about anything I wanted so I proposed about why I am getting a BFA and he was fine with it. As I was writing it it morphed into something else... some background on discovering I was dyslexic, how I like to learn and experiment with new things. For my presentation I shall bring in some metalwork I made and for class participation, which is not required, ask and explain all the various types of metalsmiths - black, blade, copper, tin, gold, silver, etc.

And to catch everyone up here are more images of my work, since the last post in October.

It's been a busy time. Reading and writing essays for College Writing; drawing, sketching, cutting, gluing, and coloring for Studio I; and making collages, constructing wire frames and other 3D art for Core I.  I am also doing extra drawings in an attempt to improve my drawing skills. The pictures below are done with watercolor paint and pencils, charcoal, graphite pencil, colored pencils, cyanotype (chemical sun prints), markers, india ink, 16 g and 18 g mild steel wire, pages from magazines, acorns, lichen, and tree branches.

I thought I would post more pictures from both art classes and my extra sketches. Not everything is here and they are not in any order but I hope you enjoy them.

Most of my drawings have been still life's so I was challenged in class to draw from life. I have wanted to do this but have been a bit scared because, even though I am getting better, at times I don't the the perspective or proportions correct. So I went through my phone and found a good close up of Boots' nose and asked if that would be acceptable and I was given not only a resounding YES but an awww.  The teacher said I could grid the picture and my drawing paper to assist in getting the proportions and scale correct.  The other thing that helped me was that over the past two weeks we have been working in charcoal to get all shades of white, gray, black and everything in-between.  I was going to use just colored pencils only to find out I did not have one that was black. I ended up using the water color pencils with and without water, some colored pencils, and a bit of water color paint for the whiskers in places. The 3 most prevelent colors are black  for her fur and black plus gray for those those transition areas.

The last image is Boots' response to her portrait as posted on FB.

Here are sketches/drawings/paintings from Studio I. We have to do two sketches each week, as homework and show them in class the following week and some pictures are homework for over the weekend from an in-class assignment. On the left is the image to do, on the right is the result. They are not in the order they were done or assigned.

I am back from a 15 day road trip (more details here) but I did take an unplanned side trip to Colonial Williamsburg JUST to visit the silversmith shop; I did this because Liza Nechamkin suggested it because I would be nearby when visiting the Shop Elf's brother.

Turns out it was less than 5 miles away so after breakfast I went and arrived just as the shop was opening. I went in, introduced myself and said "Liza Nechamkin says hello and that I needed to visit!"; well, after that we were immediate friends (just kidding). We started talking about WHY Liza sent me; then what they were working on and more. Preston started as an apprentice in the early 80's and is now a journeyman; I did not find out when he can become a master. He showed me trays, bowls, ladles, spoons, tea pots, etc. Then we went into the other rooms - the amount of hammers and stakes was amazing and sadly many needed the rust and grime to be removed; yes I volunteered. I was even taken on a "behind the velvet rope/curtain" tour to see all the tools, stakes, and equipment in the basement; into the other workshop, a back building, where tasks like spinning a ladle handle on a lathe is made, plus other modern equipment is used to finish pieces.   I was ready to move in and clean everything for free!
​
I did buy myself a pewter spoon because the silver one I wanted was over $400. 

As I was driving back to my brother-in-law's house I realized I was very excited about going back to school and had a renewed sense of enthusiasm for learning and making things. 

Now that the studio is clean and organized I am actually making things, to get my mojo back, since I have not done any sawing, soldering, stamping/pressing, or finishing for quite a while.

I am making sample impressions of all the dies I have for the hydraulic press as this gets me using the rolling mill for thinning metal or to use the pattern plates to texture on the metal. With the hydraulic press I am using the pancake dies to cut out the blanks for trays and to form the tray. I am also figuring out how to impress, in the metal, deep and shallow impressions to get all the detail.  Once that's done I do any sawing, filing or other cleanup at my bench with the flexshaft. If needed I use the belt sander to debur and clean up edges along with the JoolTool to figure out how to do the same and what wheels to use;  and then it's over to the JoolTool to do final polish. I am also using the belt sander and JoolTool to clean up and polish the impression dies that have uneven and marred surfaces

I, unintentionally, made a bit of scrap on some impression dies and trays. On a die, the metal was probably too thin, and I split the edge; on another tray I didn't get the impression back in the die and so I have a bit of a ghost image from the double pressing (gryphon) and then I positioned the tray crooked and it came out skewed;  on another tray it shifted in the silhouette die and the dish didn't have a rim on one side and on the flower tray the impression die was a bit domed and had machining marks which transferred to the tray so I ground the top surface flat and then polished it.  

BUT not all was lost. From the scrap tray I made myself a pair of earrings. I then made a good tray, several mini-dishes, another tray with a soldered-on impression, and several small wall vases; all of which are presents for friends when I attend my 50th High School reunion in a few weeks. I also cut out, from a thick impression that I was given, a bat and made a key ring for a friend. 

oh, and lastly I must say my soldering skills will take time to return; I have lots of clean up to do on the 3 wall vases.

The last thing to do, as part of getting the studio in order was to organize all my hydraulic press tooling and make sure was all documented in the Tool(ing) Tracker Web Application that I wrote and put out there two years ago.
My plan was to put it in the rolling toolbox I inherited from the Shop Elf but first I had to clean it. It was empty it; vacuum out the dust and other schmutz; then start the tooling inventory.
IT TOOK THREE DAYS.
I organized the tooling by type on the counter and would carry a few items to my desk where I could verify it's existance in the Tracker. Next was to use a vibrating engraving pen and mark it. I then put it in a drawer which was labeled with the tooling type. 
I had some tooling that I had no sku number for nor were they marked so I went to the hive mind in the PotterUSA Facebook group for assistance and they came through. 
Everything is now in the toolbox and I just have a few things to put away today and I AM DONE with this task and organizing the studio; I CAN NOW PLAY IN HERE