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What I did on my Summer vacation - 2025

8/5/2025

 
I went to Gatlinburg, TN to attend a metal's workshop at Arrowmont School of Arts & Crafts! I signed up to take Small-Scale Metal Spinning something I have seen done but had no opportunity to try or learn.
I decided to drive because who doesn't like a good road trip. It was a 2 day drive though some wonderful scenery and another 2 days back.  I signed up for a single room since at my age I can get up several times in the night to use the bathroom AND I did not want to be kept awake by a roommate(s) talking or coming in late if I had gone to bed very early.

I arrived Sunday afternoon and settled into my room. After dinner we had a school orientation and our workshop introductions.  There were 10 of us in the workshop.  Six women and four men. 8 of us were metalsmiths and 2 were wood turners. Our teacher is a Professor at North Texas University and he's a master metal spinner.  We were using small wood lathes that had special centering chucks and wood forms (also called chucks) that we form the metal against. We had a tool kit of: 5 disks each of aluminum, copper, and pewter (3" 20 gauge), wax for lubrication, an application brush, a wood form/chuck, follower chuck, spinning spoon, another "blank" chuck, and a wood turning kit for when where were ready to make our own chuck.  I did bring some extra copper of 18 and 20 gauge and 2 - 3" disks of 20 gauge sterling silver.

Monday started with demo's on how to spin and lots of questions from us. We were to start with aluminum. We first annealed the 3" 20 gauge disk and put it in our lathes. We learned about centering the disk, lubricating the metal and how to hold and where to put the spoon tool against the metal so we could push and apply pressure to fold the metal over from the base and form it into a "hollow form". There is more annealing along the way, more lube, and how to smooooooth out ridges that can result. All of this also stretches the metal and IF you push too much your thin the metal and then it will rip. It can also rip if you haven't annealed again or need more lube.  Yes, to start you make lots of scrap!  Some of my aluminum started off good but most eventually ripped - IT IS A LEARNING EXPERIENCE and a frustrating one that had me wondering if I could do it at all. 

It's a matter of thinking of what you are doing, going slow, annealing and lubing more than you expect and then it ALL WORKS YIPEEEEE and then it doesn't. Think of Hans Solo saying to Luke Skywalker in the Millenium Falcon: "Don't get cocky kid."

Tuesday I finished spinning my last piece of aluminum and started on the copper.  I actually made pieces with no rips or tears. We had another demo, in the metals tool room on how to use some stakes, hammers, and anvils to smooth out the ripples one can get at the un-spun edge if pushing the metal too much. I was drooling over all the stakes and hammers, yes it was major tool porn.  Then some of use started to work on a wood lathe, to make our own form/chuck. I went for a wide base with semi-straight side. The side must be slightly angled with NO indents or you can't get your metal off the chuck.  There are chucks that have indents that do come apart like a puzzle so the chuck can be removed from the narrow parts.  I was able to spin a disk of pewter and copper on my chuck that resulted in a nice shallow round dish.  We also had a demo on not just making vessels but turning them into art pieces by adding thing to them. We were shown regular and pop-rivets, micro-hardware like nuts, bolts, and screws, and soldering or welding the pewter using a micro-torch. I took one of my ripped copper pieces and put a pop-rivet band aid on it. I also took a ripped pewter piece and welded some 3 pieces of scrap pewter to the rim and turned it into a crash landed UFO. 

The remaining days were all spinning and talking to everyone about what they figured out. Some of us traded chucks, to make different shapes and forms. We had another demo on back spinning and rolling the edge. I tried the back spinning, which was a success, but did not roll an edge. I also took a 4" disk of 18 gauge copper and spun it. DAMN, 18 gauge is hard and required not only so much force but again, more annealing. I was able to finish this without rips or tears, again YEAH ME.

Late Thursday I decided to try SILVER which even the teacher said he wouldn't do but another student had brought silver too and she, despite having ripped one or two pieces, was making pieces. I had to go slow and think about what I was trying to do; I also made the decision to anneal quite often.  With my chuck I was able to spin another small dish - YEAH ME. Then using someone else's chuck that was smaller on the base than mine and had more taper BUT was bigger than the chuck I started on I used my second piece of silver. I got a good base and annealed to then work forming the body but ripples started to form around the edge; had I pushed to much metal up too fast??. I was so fearful of ripping I took it off the machine and annealed a third time and while looking at it I realized that I liked what had happened and so I decided to stop. As my final piece I went with a 5" 20 gauge copper disk BUT we all had run out of the wax lube and had to use dish soap which does work but many of us found it it wears off faster thus allowing the spoon too to grab the metal and rip it - as I found out on this last piece of copper. 

I was now done. It was Friday and despite many other students trying to finish pieces I cleaned up my pieces, machine and work area.

Over on Kernology you can read about the other stuff I did, outside of workshop.

Patina Workshop

3/14/2020

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Last weekend I went to Mesa Arizona for a workshop with David Huang that was all about patinas. 
I have always lusted after his patinas (and work) after seeing it up close when I took his chasing class oh so many years ago.   As soon as I saw this posted, I signed up. I was the 9th out of 10 students, and then I had to wait almost 6 months for the workshop.

So last Friday I flew to Mesa with my copper tiles, apron, book for notes, safety glasses and expectations. The workshop started on Saturday, for 3 day and I flew home on Tuesday. 

It was a wonderful workshop. David gives great demonstrations and shares an amazing amount of information.
We covered cold patinas, hot patinas, boiled patinas, and gold leaf along with layering; we only worked on copper but there is also brass, bronze, steel and even silver that patinas can be applied to; nor did we cover all the possible chemicals that can be used - we covered just the ones David uses most often. 

Of course Bunny Bravehart came with me but he just watched as he was afraid of getting burned. 

The day went like this. 
  • David gives us a recipe and then he mixes it and put the solution in jars for each station
  • David then demonstrates the application (creation) of the patina
  • Students ask questions
  • Student apply patina to their copper tiles
  • Students share results with each other and ask David more questions
  • Repeat

What we used: But not how we used them as that is what a class or research is for! 
  • Cupric Nitrate
  • Ferric Nitrate
  • Ammonia
  • Sodium Chloride (Salt)
  • Dihydrogen monoxide  (Water. Yes it is a chemical and a powerful solvent; hey it can kill you!!) 
  • Bismuth Nitrate
  • Ammonium Chloride
  • Cobalt Nitrate
  • Copper Sulfate
  • Silver Nitrate
  • Gun Bluing
  • Liver of Sulfur
  • Gold Leaf
Here are some of my pictures. 
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A Little Inspiration

4/28/2015

 
Last weekend I went to a workshop at Davide Bigazzi's studio up in Menlo Park, California (no, not that Menlo Park - that one is in New Jersey which was where Edison had his research facility). I went with two of my friends - Diane and Sandy, so we could all learn the Italian way to Chase & Repousse and learn FLOWERS.

I am not done with my cuff YET (I will do that this weekend) and will post many pictures in my next blog post. BUT for now, the pictures I took of flowers from around studio for inspiration.

Workshop Report

10/13/2014

 
NA bit late but better than never.

It has now been a month since I went to The Nechamkin Silver Studio to do a SEVEN day private workshop with Liza Nechamkin.  If you don't know, Liza went to work at Tiffany's after college and was there for 10 years +/- if I have my numbers correct. She knows her silversmithing stuff!

I did post two mini movies that show what I did they are/were about raising a tumbler and using a snarling iron and chasing a cup (also a tumbler but this one was spun).

Then work got very busy so this post was put on hold until now. 

So let me tell you about the workshop.

SEVEN DAYS \0/ (that is a happy dance with arms raised) of metal work with one of my favorite silversmith. Yes, SILVERSMITH, not a person who only makes jewelry in silver.

We started by looking at a spun cup for size and dimensions. Then I made a template for the inside and outside profiles and determining the size of the circle to raise it. Then it was onto raising the copper into a tumbler. 


I started raising with a metal hammer on a wood stake. When I was half way raised, I switched to a wood hammer on a steel stake. I never did any raising with a steel hammer on a steel stake. There are advantages to each combination that have to do with speed, stretching, forming and what you have available to work with. 


When the cup was fully raised, I then scribed a trim line and the extra height was cut off the top. The rim was sanded flat and then I moved on to planishing. This was done on a steel stake so the inside would also be planished. I started with an aluminum hammer - who would have thought that!; since it is light and yet is still metal that will help smooth out the surface. 

After the planishing, Liza did the final polish and explained the process. The next time I go, I will be doing the polishing!!

This was the first 4 days. 

For the next three days, we worked on using snarling irons in lieu of repousse cause you can't get your hands, hammer and tool inside a tumbler; and then chasing the cup.  

First we filled the cup with pitch and place it in the pitch pot. The design was chased and the areas where the snarling iron would be used were identified.  The pitch was removed and we moved on the snarling iron.  The cup, because it was copper, was NOT annealed as it would have bent out of shape when using the iron; the cup would have been waaayyy to soft.

After the snarling was done, we filled the cup with pitch, again. While that was cooling, one of Liza's friends and ex-coworker came in to do a spinning demonstration. Tom is a master spinner (he worked at Tiffany's too) and we got geeky on the mechanics of how to spin metal. It was way cool!!

When the demo was concluded and the pitch in the cup had cooled, we then started chasing on the cup and discussed how to "model" the design: adding textures to make it look real and background textures to make the design stand out from the primary surface.   Actually,  I never finished  a single a leaf, set of berries or the vine near the leaf I was working on but it was the time we discuss all of this that is very valuable. 

My report card for the chasing part of the workshop.
Picture

NC Black is coming to Murrieta

7/15/2013

 
It has taken a few days to sort out but NC Black will be coming to The Adventurous Silversmith's studio in September to give a 2+ day workshop.

They will be teaching the Micro Shell Forming workshop, here at my studio, the weekend AFTER they teach their new workshop Raven Skull Interpretative Raising at Adams Forge in LA. 

Follow this link to find out the who, what, when , where, and how to sign up.  OR look up at the menu and select WORKSHOP.... 

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